The Child Finder by Rene Denfeld

Naomi’s earliest memory is of herself as a ten-year-old running naked in a strawberry field. She runs towards migrant workers who take her to a sheriff.

Twenty years later, Naomi is a thirty-year-old private investigator trying to find a child who has disappeared while out on a family trip. Naomi has become a private investigator to atone, as she puts it, to “atone” for her past. 

The child she seeks to save, however, has been lost for three years in a remote part of Willamette Valley. There’s no evidence to suggest that the child is alive. The case is inactive and its assumed she has perished in the snow. 

Naomi learns from each case and this case gives her most valuable insight yet. Glimmers of the past return as she finds the living conditions of the girl, a cave in a remote claim.

Denfeld, a former private investigator, writes a taut, psychological mystery with details that ring true.  

A harrowing work of psychological fiction set in Oregon’s Willamette Valley where fur trapping is still commonplace in remote towns. In one such town, a mysterious figure lives in obscurity. Years ago, he had been kidnapped and tortured by someone he calls simply “The Man.”

Could this be mysterious figure be tied to the missing girl?

As Naomi reaches out to her foster bother, some of her lost memories return. After solving the case of the missing girl, called the “Snow Girl,” Naomi vows to solve a more personal missing person case. 

The Butterfly Girl is the second novel in the Naomi Cottle series. 
https://renedenfeld.com/author/

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Foxlowe by Ellen Wasserberg

Foxlowe by Eleanor Wasserberg, book jacket
Foxlowe by Eleanor Wasserberg

This atmospheric, creepy novel uses a superb narrative technique. The story is told through the eyes of Green, a young girl who has grown up in an artists commune at Foxlowe.

She has no parents and all is shared equally in the family in a pile called the Jumble.  Green thinks, however,  she belongs to Freya Marsh. Freya, the de facto leader, is an affectionate tormentor who loves and tortures Green.

The family’s actions are compared to a shoal of fish; none of them wants to be “edged” or ostracized. Green feels being “Edged” is worst than taking the Spike Walk–a horrid punishment that Freya invented.

Though the family think they have retreated into safety, real danger lurks through the halls of the ancestral home. Freya takes a baby away from her mother. The Family seems unable to sense the growing moral uncertainty. 

Instead of checking her authority, the family goes along with whatever Freya decides. Thus, when Freya arrives with an infant, the family never questions her origins. They simply welcomes the infant as a new family member. Curiously, Green names the infant Blue.

In order to feel safe from the outside world, the family performs numerous rituals. During the Winter Solstice  they perform the Scattering–a line of salt is poured around the house to protect the house from outsiders. Green, in a fit of jealous, puts the infant outside the salt line, an action that will have serious repercussions . 

Green, Blue, and Toby grow close in the years that follow. The grown believe that they have provided the children with the most magical childhood. They don’t go to school and are not subjected to society’s rules.

The ungrown are not given access to the most basic things e.g. mirrors and cannot leave the grounds or talk to strangers. Green in never given a chance to leave Foxlowe until a tragedy occurs.

Psychologically damaged, Green may never be able to integrate into society.  One of the growns who became a Leaver is determined to give her a chance. Can he help her or will he only make things worst? 

Green is a fascinating yet unreliable narrator in this novel that is both complex and frightening.

Normal People by Sally Rooney

In this novel, two teenagers avoid each other at school yet are also fiercely, strangely attracted to one other. 

The two come from different worlds. Marianne has a much higher socioeconomic status than Connell. Her parents are barristers whereas Connell is raised by a single Mom. Connell’s mother is, in fact, a housekeeper for Marianne’s parents. 

Due to some quirk on her part, Marianne has a lower social status in school than he does. Connell is a popular football player while she is lonely and ostracized.

In spite of this, the two teenagers come together for secret trysts. Terrified, though, that anyone would find out about their affair, Connell treats Marianne coldly. He invites someone else to the Debs.

At Trinity University, the pair become friends and lovers once again. She is now more popular than he is yet they still struggle to communicate. Their relationship continues to be passionate, volatile, and heart-breaking.

After a misunderstanding, the two start seeing other people. Marianne, intelligent yet damaged psychologically by her family, seeks out boyfriends that are cruel to her. 

Connell feels Helen is a better choice until a funeral at his home town bring his illusions crashing down. 

This novel, which was long listed for a Man Booker prize, will soon become a 12-part half-hour drama on BBC3.

The Promise by Anne Weisgarber

promiseAll novels begin with trouble. Catherine is on the verge of poverty after she has an affair with a married man.

Disgraced, Catherine Wainwright decides to make a fresh start in Galveston. Though she never planned on marriage, a man she scarcely remembers from high school has offered to marry her.

From Dayton, Ohio, Catherine journeys to the unknown where the food, religion, climate and ways of life are foreign to her.

Oscar Williams, the man who offered marriage, had adapted to Galveston. Catherine believes that she can, too, even if it means becoming a step-mother to a five-year-old and living under the watchful eye of a resentful servant, Nan.

Catherine and Oscar learn to love each other, even if they have different ways. Catherine is a college graduate and was a celebrated pianist. She has refined ways whereas Oscar is a dairy farmer. His home is on stilts and there’s no electricity.

Catherine learns to appreciate Oscar’s goodness; even if, tragically, the Galveston Hurricane of 1900 will change everything.

This is a well-researched historical novel filled with delightful people who are honest and hard-working, especially Nan and Oscar.

Catherine, of course, has a past, but she learns the true meaning of love and family when she meets Oscar and his little son.

This could have been a beautiful story about making a fresh start and beginning anew, but the tragedy of the storm muddies this beautiful message.

 

 

The Black-Eyed Susans by Julia Heaberlin

Years after a horrific crime, Tessie, the only survivor in the “Black-eyed Susan” murders steps forward. She is beginning to doubt that the right person has been convicted for the heinous crime.

Tessie was nearly killed and blinded by a “monster.” After the  horrific attack, Tessie suffers memory loss and psychological blindess–a conversion disorder.

Heaberlin unveils the chilling story in back and forth chapters that contrasts events near the time of the crime with its aftershock seventeen years later.

If Tessie does not change her testimony, an innocent man could face the death penalty. Tessie, however, is reluctant to delve into her past. After all, she has her own daughter to protect from the media’s harsh glare.

Adding to the tension is the fact that Tessie thinks she is going insane.

Immediately after the crime she begins to hear the voices of the other Susans in her head. The grown-up Tessie thinks her monster has been planting batches of blacked-eyed susans to traumatize her.

The twist at the end packs a wallop. Heaberlin’s latest is for fans of Gillian Flynn, Paula Hawkins and Brunonia Barry.

Evergreen

Evergreen by Rebecca Rasmussen

Evergreen by Rebecca Rasmussen
In one of the best novels of 2014, Rebecca Rasmussen describes both the joy and the loneliness of the Minnesota wilderness.
Eveline, joins her German husband, Emil, in a hardscrabble existence in Evergreen. Unbeknownst to her, Emil doesn’t own the cabin they relocate to. When his father becomes sick, Emil goes to Germany, leaving Eveline and Hux on their own.
When a land surveyor comes through the Evergreen area, he cruelly takes advantage of her. She later makes a fateful choice that will effect her young son, Hux, and her husband who is still abroad.

The story also focuses upon Hux’s sister Naamah, and their relationship.

Hux locates his half-sister in a logging camp, years after she has left Hopewell, an orphanage, that has left her emotionally and physically scarred.

Hux, who is a taxidermist and barely scraping by, tries to help Naamah heal; he tries to return a small piece of the childhood that was stolen from her.

This is a heart-breaking story with many warm and humorous moments.

Readers who like Evergreen may also like Orphan Train by Christina Kline, The Snow Child by Eowyn Ivey, and Bloodroot by Amy Greene.

Eight Girls Taking Pictures

Eight Girls Taking Pictures by Whitney Otto.

In Eight Girls Taking Pictures, Whitney Otto experiments with a new kind of fiction–a fictional portrait of real-life personalities. Though she changes their names and some details about their lives, what develops is a collage of fiction and non-fiction that tells the truth of the lives of eight innovative photographers.

In eight somewhat interconnected stories, Otto tell the stories of Imogen Cunningham, Madame Yevonde, Tina Modotti, Lee Miller, Grete Stern, Ruth Orkin, Judy Dater, and Sally Mann.

Though these women lived in different time periods and cultures, one constant emerges. Despite feminism that emerges in the 1970s, all of the women feel conflicted about their role as artist which conflicts greatly with other areas in their life. For most of these women, their roles as artist conflicts with motherhood, but for some, their work interferes with politics or other deeply held beliefs.

In the first story, Cymbeline faces the perplexing problem of wanting both a career (as a photographer) and a family. She first become enamored of her professor, Julius, while he and she photograph the “Procession of Princes,” in Dresden.

Her time in Berlin both opens and closes doors for her. Cymbeline is a fictional version of Imogen Cunningham, a trailblazing photographer, who was once an apprentice at Edward Curtis’ famous portrait studio in Seattle.

Other fictional portraits are those of Madame Yevonde whom Otto renames Madame Amadora. Madame Amadora feels conflicted between her life’s work, photography, and motherhood.

Clara Argento, a fictional character based on the life of Tina Modotti, also feels conflicted. While she has no children, she feels torn between her role as artist and revolutionary.

Charlotte Blum, a fictional version of Grete Stern, sums up best the conflicts these female artists feel:

“She didn’t hate being a wife any more than she hated being a mother. What she hated was the way that wife, mother, and photographer created an unsolvable equation. What she hated was trying to solve the mathematics of her various roles.”

Torn between her family in Argentina and her loves for Ines and photography, Clare laments that, “a woman always has to choose.”

According to Clare, women, cannot have career and family and love; they must choose one role at the expense of another–a theme that repeats itself throughout Eight Girls Taking Pictures.

Miri Max (Ruth Orkin), for instance, laments that she cannot be in,

“two places at once, two people at the same time. If she could split herself one Miri would be happy spending all day with her toddling children…Her other self would be making movies with David. Or possible taking pictures on her own…”

Eight Girls Taking Pictures does not shy away from the issues that have been tackled often–issues of women’s rights, marriage, and work. Otto, however, delves further by looking at the way motherhood conflicts with a woman’s role as artist. She distinguishes work from fulfilling work that involves creativity and a sense of achievement.

In the last chapter, Jenny can work as a photographer by taking wedding or debutante photographs but she wants something more. Though she is criticized for it, she takes intimate photographs of her children. The photographs are not merely family snapshots as they show the viewer both childhood and motherhood in the abstract.

Characters and their real life counterparts:

Cymbeline Kelley–Imogen Cunningham
Madame Amadora–Madame Yevonde
Clara Argento–Tina Modotti
Lenny Van Pelt–Lee Miller
Charlotte Blum–Grete Stern
Miri Marx–Ruth Orkin
Jessie Berlin–(partly-based on Judy Dater)
Jenny Lux–Sally Mann

A “Select bibliography” at the end of the novel is an unexpected  gift to readers eager to learn more about the women portrayed in this work of historical fiction.

For more information about Whitney Otto, http://www.whitneyotto.com